Exquisite Pressure x F-O-R-M
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February 21–22, 2025
7:30pm, 7pm doors
$15, No one turned away for lack of $
WHAT LAB 1814 Pandora Street
tickets online or at the door
F-O-R-M and What Lab are very excited to welcome you to back to Exquisite Pressure! ExP allows artists to try something new, to share their works in progress in front of an audience, gather feedback, and put their investigations to the test. It’s a night to experience new work in beautiful, brave, and vulnerable early stages.
ExP x F-O-R-M features the work of:
Kait Ramsden
Morgan Sears-Williams
Pia Yona Massie + Kelly McInnes
Curated and hosted by F-O-R-M. A few words from them on what to expect:
The lens acts as a witness and accomplice in each artist’s work.
These live performance works each contain:
+ a transcendence from seeing to feeling
+ a fracturing, layering and reassembling of images
+ a recording that breathes beyond the edges of the screen
These three works collectively consider:
+ the politics of the lens
+ the sensorial resonance of the edit
+ the projection of a past, present, or future
Questions? Email us at studio@whatlab.ca
Accessibility Info
What Lab is located at 1814 Pandora Street. There is no dedicated parking, only street parking. The venue is located on the second floor up one flight of stairs, but there is a ground level accessible entrance through the back of the building. Seating is typically informal, and will include some combination of chairs, floor seating, couches, and cushions. There is one single-occupancy, gender-inclusive washroom. The washroom is not big enough for larger style wheelchairs to completely turn around in while the door is open. We are a trans-inclusive space.
Mask Mandate
Wearing masks is highly encouraged for this show when possible as a practice of collective community care. With the event taking place during the peak of flu season, we strive to be able to gather in groups while being mindful of our own and others’ health needs. We will have masks available on site, but encourage you to bring your own as supplies may be limited. An air purifier will be on site to assist with providing clean air and circulation. Please note drinks will be available for this event, and unmasking will take place for those who purchase and consume drinks.
We are encouraging masks by:
- All staff will be wearing masks. Performers will not be masking.
- Printed signage will be posted throughout the venue stating “Masks Encouraged”
- We will have N95 masks available at the entrance and offer masks to individuals who enter the space.
Do You Love Me?
By Kait Ramsden
Do You Love Me is an exploration of fantasy, self censorship, and desire. Which fantasies serve to enliven and which serve to unsettle a sense of self? This in-process performance offers many sketches; a video installation with scenes of desire, destroyed and remade; an overwrought poem about love and connection; and a body obscured by its desire to be seen. Perhaps this show contains some of your desires as well.
Content warning: nudity, pornography.
HOLE
By Morgan Sears-Williams
To create a hole in 16mm film is to create a disturbance.
Through analog film, projectors, and a hole punch, Morgan talks about the implications of the hole punch onto film, weaving in threads of photo histories, ideas of destruction, and censorship.
Ocean Matriarchs Orchestra
By Pia Yona Massie + Kelly McInnes
Ocean Matriarchs Orchestra is a multimedia collaboration between Kelly McInnes and Pia Yona Massie. We share our stories about longing, loss and the making of meaning in an age of eco-grief and disaster capitalism. We celebrate our ancestors and the animals who have been our guide stars since childhood.
about the artists
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Kait Ramsden
Kait is a multidisciplinary dance artist, sound maker, dance teacher, and local YouTuber living and working on unceded Coast Salish territory. Her sound and movement performances have been shown most recently at Found Fest (AB), Shooting Gallery (BC), Boombox (BC), Center of International Contemporary Art (BC), and Active/Passive (BC). Subscribe to her channel @communikait.
photo credit Angela Fama
Morgan Sears-Williams
Morgan Sears-Williams is an interdisciplinary artist working with still and moving images that explore themes of feminist queer histories and collective memory. Investigating the use of analog film both as a form of projected image and as a sculptural material, Morgan’s art practice focuses on how lived experiences inform queer aesthetics and articulations of memory and gender. She has exhibited her works across Turtle Island and internationally at Gallery 44, Arsenal Contemporary, Contemporary Calgary and the Morris and Helen Belkin Art Gallery. In support of her artwork and research, Morgan received the graduate scholarship from the Social Sciences and Humanities Research Council in 2023, and has received grants from the Ontario Arts Council and Canada Council for the Arts.
photo credit Roya Del Sol
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Pia Yona Massie + Kelly McInnes
Pia Yona Massie
Pia Yona Massie is a multi-media artist, environmental activist, and teacher. Massie’s work has been exhibited in museums, festivals, and galleries throughout North America and Europe, including The Museum of Modern Art, NYC; Gallery 881, Monica Reyes and the grunt galleries in Vancouver, BC.
VIVO Media Arts is creating a special collections archive of 40 years of PYM’s interdisciplinary work. Time Travellers Testimony, a multi-generational / multi-media collaboration now in progress, brings the voices of Clayoquot Sound’s ‘War in the Woods’ back full circle to the engaged creatives on the frontlines continuing the ongoing protection of our air, land and water.
Originally raised in Brooklyn, New York PYM has now lived half her life on the West Coast, near the Pacific Ocean, in the city of her ancestors. She is deeply grateful to work and live in the Pacific Northwest unceded traditional lands of the Musqueam, Squamish and Tsleil-Waututh First Nations.
Kelly McInnes
Based on unceded Coast Salish territories of the Musqueam, Squamish & Tsleil-Waututh Nations, Kelly McInnes is a settler of Irish, Scottish & British ancestry. She/they are a queer dance artist concerned with embodying care & creating as a way of remembering connection to Earth. Her Craniosacral Therapy practice and passion for collective healing powerfully inspires her artistry. Kelly is grateful to have worked as a choreographer, performer & community-engaged facilitator with many brilliant artists on beautiful projects over the past decade. They have shared their work through stage, outdoors, site specific, durational, installation, guerrilla & interactive performances, as well as through films, workshops & collaborations, presented locally in festivals such as Dance In Vancouver, Vines Art Festival, Vancouver International Dance Festival & rEvolver, as well as nationally at Feminist Art Conference, SKAMpede Festival & internationally at Lake Studios Berlin & Espacio Expectante. As a performer, Kelly has danced the works of EDAM Dance, MACHiNENOiSY, Restless Productions, 605 collective, Chick Snipper, Anne Cooper, Olivia C. Davies, Daina Ashbee, among others. Kelly delights in sharing dance through community classes & collaborative creative processes with youth, adults & seniors. She has facilitated community offerings including MINE / EPOCH Youth Project, Roundhouse Community Dancers and currently leads Late Stage Remedy, a collective dance meditation, inviting communities to practice connecting to the land together. Kelly also often supports the creative processes and productions of colleagues.
This presentation is funded in part by
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