Exquisite Pressure x Theatre Replacement
Fri-Sat
May 15–16, 2026
7:30pm, 7pm doors
$17, No one turned away for lack of $
WHAT LAB 1814 Pandora Street
tickets online or at the door
Theatre Replacement and What Lab are teaming up for the next round of Exquisite Pressure! ExP allows artists to try something new, to share their works in progress in front of an audience, gather feedback, and put their investigations to the test. It’s a night to experience new work in brave, risky, and vulnerable early stages.
Featuring the work of:
Elio Zarrillo
Rafael Zen + Khalil Alomar
Curated and hosted by Theatre Replacement.
Questions? Email us at studio@whatlab.ca
Accessibility Info
What Lab is located at 1814 Pandora Street. There is no dedicated parking, only street parking. The venue is located on the second floor up one flight of stairs, but there is a ground level accessible entrance through the back of the building. Seating is typically informal, and will include some combination of chairs, floor seating, couches, and cushions. There is one single-occupancy, gender-inclusive washroom. The washroom is not big enough for larger style wheelchairs to completely turn around in while the door is open. We are a trans-inclusive space. Please reach out to studio@whatlab.ca if you’ll need to use our accessible entrance.
LIAM
By Elio Zarrillo
They went out in search of a name, but found a body instead.
10 years after a brutal assault left them nameless, Dancing is trapped in the local Library for Broken Books, combing through grievances, manifestos, and silliness on a trial-by-fire fight for freedom from their own self.
Part warehouse party, part tattoo appointment, part philosophical chat on a long drive home, LIAM is a poetry-performance work that, through vulnerability and care, invites us to truly be with our suffering.
Elio Zarrillo – Creator/Performer
Mateusz West – Director/Dramaturg
Jade Harper – Tattoo Artist/Performer
Stefanie Infantino – Production Designer
Maria Zarrillo – Stage Manager
Brandi Bird – Poetry Editor
Star Deibert-Turner – Voiceover
Lonely Offices
By Rafael Zen + Khalil Alomar
“Lonely Offices” is a sound theatre work by multimedia performers Rafael Zen + Khalil Alomar that discusses colonial-capitalistic-narcissistic techniques of submission (work culture, gender roles, linguistic barriers, borders, boredom, repetition) in a surreal universe where Severance meets John Cage, and Meredith Monk meets The Office. This exploration on noise art, live improvisation and experimental composition questions: how can we deny this compulsory culture of lonely offices?
Rafael Zen – Creator/Performer
Khalil Alomar – Creator/Performer
about the creators
Elio Zarrillo is a prairie-born queer originally from Treaty 1 territory, now based on the unceded lands of the xʷməθkʷəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ (Tsleil-Waututh) Nations, having recently completed an MFA in Creative Writing & Theatre at the University of British Columbia. They have spent over 15 years making live performance works across the country as an actor, writer, director, and dramaturg.
eliozarrillo.com
Rafael Zen is a Brazilian-Canadian sound performer and experimental composer creating on the stolen lands of the Musqueam, Squamish, and Tsleil-Waututh peoples.
They research cyborg performance, wearable technologies, speculative languages, queer identity, and noise/disruption in improvisational composition. Their work blends video, theatre, installation, noise collage and sound performance, engaging with queer cinema and decolonial storytelling.
They hold an Master’s in Contemporary Art and currently research New Media + Sound Art at Emily Carr University.
Recent collaborations include works with the Vancouver Biennale, BC Arts Council, Canada Council for the Arts, Vancouver Contemporary Art Gallery, Western Front Gallery, What Lab, Kokoro Dance Society and Theatre Replacement.
Khalil Alomar is a queer Lebanese-Canadian multidisciplinary artist pursuing a degree in New Media and Sound Art with a Minor in Art and Text.
He is interested in interventions against the autopilot of contemporary life, working in the fields of multimedia performance, intermedia installation, sound art and experimental composition.
His practice blends DIY analog electronics, digital tools and multimedia environments through the language of the glitch and the absurd, reclaiming one’s agency within digital and physical systems by investigating sonic and performative satires against compulsory labor, gender troubles, surveillance as confession, and other colonial-capitalistic schemes.
This presentation is funded in part by



